dc.contributor.author | Botezatu, Anthony | |
dc.date.accessioned | 2019-05-22T15:49:18Z | |
dc.date.available | 2019-05-22T15:49:18Z | |
dc.date.issued | 2019-05-22 | |
dc.identifier.uri | http://hdl.handle.net/10429/1939 | |
dc.description.abstract | Grounded in the context of Detroit techno and industry, this thesis serves as an investigation of sound and its role in defining the way in which space is experienced; further-so, the research and designs presented aim to de-territorialize the subconscious connection that is placed upon sound and image, reformulating an equilibrium in the visually dominating field of design. | en_US |
dc.language.iso | en_US | en_US |
dc.subject | sound | en_US |
dc.subject | noise | en_US |
dc.subject | lofi | en_US |
dc.subject | hifi | en_US |
dc.subject | music | en_US |
dc.subject | techno | en_US |
dc.subject | detroit | en_US |
dc.title | Fabricated Frequency | en_US |
dc.type | Thesis | en_US |