Abstract:
Pattern carries with it nearly infinite definitions and interpretations. Every field of study has its own way of claiming patterns. For designers, patterns have enjoyed a recent renaissance, no longer relegated to mere ephemeral decoration or determinate underlying order. Many contemporary projects have employed patterns, oscillating between expressive façade systems, structural diagrams, interior graphics, and circulation plans, all operating on multiple scales. Beyond aesthetics, 'pattern' has expanded to include principles of ecology and complexity science. The project is grounded on the basis that 'pattern' and 'patterning' in multiple scales and uses plays an important role in a community’s resilience against the ecological principle of disturbance. This thesis acknowledges and appreciates the fact that pattern has demonstrated itself to be a versatile tool in many regards, including its ability to interface with randomness. The intention is to investigate the potential that modern pattern-thinking has as an alternative to current practices in architecture, urban design, and master planning.